On Skin Deep (first try)
I didn't think I'd be here. Thirty plus and single is not a friendly place. The last 60 pounds of excess weight sort of just crept up on me. The next thing I knew, I'm a wall flower watching the 20+ set flirt their way in and out of each others' lives. It's cruel, this Rigodon, but getting stuck on the sidelines can be even worse. I watch one broken heart follow another empty promise. And I start asking myself why I've been left out of this dance. I'm smart, and occasionally funny. I'm capable of great loyalty, and I know I can even be abundant of wit and charm. I wonder a bit more before answer becomes so blatantly vulgar, I just squirm at the thought... I'm not beautiful anymore.
Grudgingly close to admitting (maybe submitting is a better word) to this horrible insight, I decided to look for something to prove me wrong. And as if by some whim of God (or a joke of fate), PETA opened with their play Skin Deep and my good friend, Bituin Escalante was in it. Why the hell not? Theatre always seems to be a good place to look for the meaning of life. Lord knows it's one of the last few places where intelligent writing can be found (were you hoping TV or the movies?). So I went and saw.
Disclaimer! I am not an expert on theater, however Rent Manila is my peg (I saw that musical four times). I've been told by people from that scene that's a bit of bar to hit. So though you won't see my reviews posted in any Broadway publications, I can at least be confident in my tastes. Beyond that, there's really no point in looking for a critique from me because I'm just blogging, not reviewing.
Moving on. I'm obligated to provide you with a short synopsis of the play. It's safe to read on. This is not a spoiler.
Written by Vince De Jesus, this is a witty take on the formula of beauty and happiness. Dr. Beaumont Batoctol, renowned aesthetic surgeon slash beauty guru slash everything else, opens the Skin Deep Beauty Spa where everything can be done. Make overs, style adjustments, personality implantation, and least of all body augmentations, you name it (or even if you can't name it), it can be done. Seven lucky contestants win a one month stay in this heaven of redos. But, as their stay in Skin Deep lengthens, and their superficial concerns addressed, their internal issues begin manifesting themselves, climaxing in an eruption of confrontations both physically and sexually (yes, it almost seems mandatory for all theatre presentations to touch on homosexuality). Simply put, this story is about the elusive golden grail of human aesthetics, the balance between beauty and happiness.
I must say, the play was less than perfect. Audio was in and out. There was a fare number of miscues. But that maybe became the thematic of the play itself, what is perfection when there is no love? The play was not but I know I loved it a lot.
Anyway, this is a blog. Not an attempt at a pseudo intellectual analysis of the script or the performance. So it all goes back to what Skin Deep did for me, and why I love it. I guess it didn't really tell me anything that I didn't already know. I have no new profound message that relates to my being single, 32, and in the quarter ton range of weight. What it did tell me though is that I'm happy to be me. That I'm capable of thought, and near endless amount of patience. I have an immense capacity for caring. Somehow, Skin Deep made that all enough for me to be nominal with myself. Yes, that doesn't solve my being single, but fuck it, when all is said and done, deep inside I'm hot. Maybe you can't take my word for it, but I know those who know me can.
